I would hope we're all aware of the constant social engineering going on through phraseology in the media and
the greasy lamina of politics. It's a symbiotic use of code words within the trade of Journalism that via language
and text, offers low information to the public and serves to draw emotion from its listener/reader without disturbing
the harmony between political/celebrity figures.
Words like 'huge' and 'clearly' are the backbone for any drinking-game when those in the business of manipulating
the public are spewing out their daily narratives with overtly-stressed and unstressed syllables, the repetition of sonic
units and heavily-disguised cants.
Often, there is an inference to hint that the Journalist knows more about a particular story than he-or-she is letting
on and at the same rate, the usual tropes of sex, scandal and the Journalist-is-your-friend are rolled out to keep
the customer coming back for more.
But today's Journalism isn't like it was in the supposed 'Golden-Era' of information-gathering, the need to entertain
as taken over from investigational-reporting and so, agencies and 'celebrity-style' management of those deemed
worthy to relate what is going on in the world have become more prominent.
During the introduction of computer-technology and the mass decrease in employment within the newspaper trade,
Journalism lifted itself out of the zone they were once accessible in and became a separate strata of society. Once,
they were closer to those they delivered for, now they are nearer to those they serve.
People from the entertainment profession became accepted into this once-close-knit union and the standard of relating
fact-based information dropped for the need to captivate, terrify, comfort and assure the customer that the best thing
they can do is pray in their church of revelation. Low-tier comedians and trim-waisted actors have become sages and
the masses have been hypnotised to believe the physical appearance of a mouth-piece is more important than their
words.
Journalism is a Clown-World now, a gaudily-painted circus of disingenuous utterances and cunning word-arrangement
bound in a winning smile issued from an expensive dentist.
(The many UK television programmes mentioned below do not matter, they are mere rungs on a ladder that were once
exclusive to entertainers.)
the greasy lamina of politics. It's a symbiotic use of code words within the trade of Journalism that via language
and text, offers low information to the public and serves to draw emotion from its listener/reader without disturbing
the harmony between political/celebrity figures.
Words like 'huge' and 'clearly' are the backbone for any drinking-game when those in the business of manipulating
the public are spewing out their daily narratives with overtly-stressed and unstressed syllables, the repetition of sonic
units and heavily-disguised cants.
Often, there is an inference to hint that the Journalist knows more about a particular story than he-or-she is letting
on and at the same rate, the usual tropes of sex, scandal and the Journalist-is-your-friend are rolled out to keep
the customer coming back for more.
But today's Journalism isn't like it was in the supposed 'Golden-Era' of information-gathering, the need to entertain
as taken over from investigational-reporting and so, agencies and 'celebrity-style' management of those deemed
worthy to relate what is going on in the world have become more prominent.
During the introduction of computer-technology and the mass decrease in employment within the newspaper trade,
Journalism lifted itself out of the zone they were once accessible in and became a separate strata of society. Once,
they were closer to those they delivered for, now they are nearer to those they serve.
People from the entertainment profession became accepted into this once-close-knit union and the standard of relating
fact-based information dropped for the need to captivate, terrify, comfort and assure the customer that the best thing
they can do is pray in their church of revelation. Low-tier comedians and trim-waisted actors have become sages and
the masses have been hypnotised to believe the physical appearance of a mouth-piece is more important than their
words.
Journalism is a Clown-World now, a gaudily-painted circus of disingenuous utterances and cunning word-arrangement
bound in a winning smile issued from an expensive dentist.
(The many UK television programmes mentioned below do not matter, they are mere rungs on a ladder that were once
exclusive to entertainers.)
Quote:Amol Rajan's under cover role revealed! BBC journalist had job as a model for agony aunt's photo casebookThe Daily Mail:
as an inadequate lover
'His meteoric rise has made him one of the BBC’s star journalists, with assignments on Radio 4’s Today programme
and host of University Challenge. But Amol Rajan has revealed a much less commanding role: playing an 'inadequate'
man in an agony aunt's photo casebook on Channel 5's The Wright Stuff.
The rise of the entertainers.
'I would be pictured, often with someone out of my league, and I'd have real questions and self-doubt and there would
be a little thought bubble that said "I just can't make it happen",' he told the BBC's Would I Lie To You? 'It was really
to bring alive scenarios that people could relate to,' he added.
Asked to decide whether The One Show host's extraordinary tale was a truth or a lie, the opposing team, led by comedian
David Mitchell, said he was telling the truth, which Rajan confirmed. Viewers were shown an example of the comic strip,
which saw a topless Rajan in bed next to a woman who appears less than impressed with his lovemaking.
The 39-year-old former newspaper editor joined the BBC as media editor in 2016, a role he held until last month.
He had spent two years as a mic boy on The Wright Stuff before joining The Independent in 2007.
In 2013, aged 29, he became the paper’s editor, which made him the youngest editor of a broadsheet title in Britain...'
Read The TV Guide, yer' don't need a TV.